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<channel>
	<title>DIT.= do it together</title>
	<link>https://dit-vienna.art</link>
	<description>DIT.= do it together</description>
	<pubDate>Sat, 10 Feb 2024 12:21:15 +0000</pubDate>
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		<title>2024 DIT. new format</title>
				
		<link>https://dit-vienna.art/2024-DIT-new-format</link>

		<pubDate>Sat, 10 Feb 2024 12:21:15 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

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		<description>
	
NEW Format of DIT. will follow mid 2024


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0650b663b7d25e28b398e64d7a51e7932f95871dbdb45ebb5aeebc7661b0a9c8/IMG_6638.jpg" data-mid="204339055" border="0"  src="https://freight.cargo.site/w/1000/i/0650b663b7d25e28b398e64d7a51e7932f95871dbdb45ebb5aeebc7661b0a9c8/IMG_6638.jpg" /&#62;image with compliments of NOMAD, Vanja Zanko

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	<item>
		<title>5.-19.12.2023 STAGINGS – LOVRO ARTUKOVIĆ by NOMAD</title>
				
		<link>https://dit-vienna.art/5-19-12-2023-STAGINGS-LOVRO-ARTUKOVIC-by-NOMAD</link>

		<pubDate>Mon, 16 Oct 2023 13:35:14 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/5-19-12-2023-STAGINGS-LOVRO-ARTUKOVIC-by-NOMAD</guid>

		<description>
	
STAGINGS – LOVRO ARTUKOVIĆ


by NOMAD
in partnership with 
VERLAG Für MODERNE KUNST
	 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
10.–19. December 2023
Open by appointment
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Special event 15.12.2023, 18h Artist in conversation with Nicole Sheyerer (in German)


We’re excited to present a big project that we’ve been working on for a long period of time - the book launch ‘Stagings’ by the renowned Croatian artist Lovro Artuković @lovroartukovicPlease join us for the book launch in Vienna and/or Zagreb as we celebrate Lovro Artuković’ oeuvre and many years of his notable work. 15 December at 18.00hat DIT. Vienna @dit_viennaSchleifmuhlgasse 1, 1040 ViennaLovro Artuković in conversation with art critic Nicole Scheyerer @nicolescheyererIn German language20 December at 18.00hat Hrvatski državni arhiv, Velika čitaonicaMarulićev trg 21, 10 000 ZagrebLovro Artuković in conversation with curator Leonida Kovač @leonida.kovacIn Croatian languageThese events are hosted in partnership with Verlag für moderne Kunst @vfmk_books and thanks to the generous support of private persons, Zagreb Tourist Board @zagrebtourist , Ministry of Culture and Media of the Republic of Croatia, Grand Park Hotel Rovinj, Adris Foundation, Gallery Trotoar Zagreb @trotoar.gallery and Cerin Antonić Collection.

More info:&#38;nbsp;@nomad_platform, @vfmk_books_goods/,&#38;nbsp;@vanja_zanko_art_advisor&#38;amp;&#38;nbsp;to buy the book, visit the website of Verlag für moderne Kunst (click).

&#60;img width="750" height="976" width_o="750" height_o="976" data-src="https://freight.cargo.site/t/original/i/3f812e2120e418d66bce6a455973fde3da5a8f44bb194deca48a7062fe7474fc/Cover.png" data-mid="198244075" border="0"  src="https://freight.cargo.site/w/750/i/3f812e2120e418d66bce6a455973fde3da5a8f44bb194deca48a7062fe7474fc/Cover.png" /&#62;</description>
		
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	<item>
		<title>5.–9.12.2023 Time Flies – Kaete</title>
				
		<link>https://dit-vienna.art/5-9-12-2023-Time-Flies-Kaete</link>

		<pubDate>Sun, 29 Oct 2023 11:32:39 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/5-9-12-2023-Time-Flies-Kaete</guid>

		<description>
	Time Flies...
for the love of it all – Kaete

by Family
	 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
5.–9.12.2023
Open by appointment
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Special Advent Punsch 9.12.2023, 12–14h 



&#60;img width="660" height="539" width_o="660" height_o="539" data-src="https://freight.cargo.site/t/original/i/ad30c5ed93dc107d7cd34651fbd4f069b7699afb8a5f04720ea0c366262b7fa9/Img0026_ff.jpg" data-mid="195197105" border="0" data-scale="75" src="https://freight.cargo.site/w/660/i/ad30c5ed93dc107d7cd34651fbd4f069b7699afb8a5f04720ea0c366262b7fa9/Img0026_ff.jpg" /&#62;
More info: Blog BeeldendoorKaete
</description>
		
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	<item>
		<title>23.11.–2.12.2023 &#62;Jahreszeugnis&#60; Maria Legat by Galerie3</title>
				
		<link>https://dit-vienna.art/23-11-2-12-2023-Jahreszeugnis-Maria-Legat-by-Galerie3</link>

		<pubDate>Tue, 19 Sep 2023 11:27:18 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/23-11-2-12-2023-Jahreszeugnis-Maria-Legat-by-Galerie3</guid>

		<description>


	&#38;gt;Jahreszeugnis&#38;lt;&#38;nbsp;
Maria Legat

by Galerie3

	
Opening: 23.11.2023 19h, the artist is present
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Meet the Artist: 30.11.2023 16–19h
24.11.–2.12.2023 Tue–Fr 11–18h, Sat 11–16h


For her last exhibition of the year, Maria Legat has attempted to give testimony to the year. The title piece of the exhibition, a large-format work typical of the artist, is titled "Jahreszeugnis" (Annual Report) and encourages reflection on several levels.

Juggling currently plays a central role in Maria Legat's artistic work. It relates both theoretically and practically to innovations in her work: on the one hand, it is about developments in content, namely the attempt to deal with the apparent responsibility that a constant statement on the state of the world entails. On the other hand, it is about her own liberation as a painter from self-imposed boundaries, such as those between figuration and abstraction, precision and the ephemeral, in order to overcome this enclosure in her work. 

Maria Legat now keeps more distance from the narrative to generate volume with abstraction, in which viewers can increasingly contribute their own imagination. 
An artistic development that seems to entail an increasing complexity of world events. She juggles different techniques and stylistic devices within the canvas, making the theme of juggling visible to us viewers. We see juggling structures and people, a playful approach to challenges, of which there are many.

&#60;img width="827" height="1040" width_o="827" height_o="1040" data-src="https://freight.cargo.site/t/original/i/0bd605e233ca8d870f8a3bf6fc0d20ddc4cd97a972ec611ff24cccf788ef0b04/test.jpeg" data-mid="194015196" border="0"  src="https://freight.cargo.site/w/827/i/0bd605e233ca8d870f8a3bf6fc0d20ddc4cd97a972ec611ff24cccf788ef0b04/test.jpeg" /&#62;Maria Legat, Jahreszeugnis UZLDW LXXVI, 2023, 315 x 248 cm, Kohle &#38;amp; Pigment auf vorgeleimten LeinenCourtesy Galerie3 &#38;amp; the artist


Mehr;&#38;nbsp;@galerie_3 &#38;amp; www.galerie3.com</description>
		
	</item>
		
		
	<item>
		<title>4.-18.11.2023 The ART EDITION_EXHIBITION by YYB</title>
				
		<link>https://dit-vienna.art/4-18-11-2023-The-ART-EDITION_EXHIBITION-by-YYB</link>

		<pubDate>Sat, 30 Sep 2023 16:12:42 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/4-18-11-2023-The-ART-EDITION_EXHIBITION-by-YYB</guid>

		<description>
	The ART EDITION_EXHIBITION Patrizia Bertassi &#38;amp; Yara-Yvon Bertassi&#38;nbsp;
byYYB

	Opening: 11.10.2023 18h 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
11.–15.10.20224.–18.11.2023 
Tuesday through Saturday, 12.00–19.00&#38;amp; by appointment


ART and FASHION
The artist Patrizia Bertassi and the designer Yara-Yvon Bertassi developed The ART EDITION together in 2022.

In addition to her large works of art, Patrizia Bertassi also creates smaller embroidered patterns in geometric and floral shapes. &#38;nbsp;Daughter Yara-Yvon Bertassi digitized them and used textile printing processes. The designer then developed simple cut blouses and turned her mother's works of art into wearable fashion. 

The artist Patrizia Bertassi uses a variety of symbols in her embroidery. All of her works are created in an open process. The elaborately embroidered works invite you to immerse yourself in another world. Associations and feelings arise, fantasies form. A dialogue between artwork and viewer is established.



&#60;img width="803" height="1067" width_o="803" height_o="1067" data-src="https://freight.cargo.site/t/original/i/1f7e982e2b898fe0e20a6296381e358ed2e63557f130131aa3b3f092ee7ea00c/The-ART-Edition-Yara-Yvon-Bertassi--Kopie.jpg" data-mid="193053864" border="0"  src="https://freight.cargo.site/w/803/i/1f7e982e2b898fe0e20a6296381e358ed2e63557f130131aa3b3f092ee7ea00c/The-ART-Edition-Yara-Yvon-Bertassi--Kopie.jpg" /&#62;
&#60;img width="1236" height="886" width_o="1236" height_o="886" data-src="https://freight.cargo.site/t/original/i/51a203765e32f70e59af3ac04a83db8ab0d8dc00eaefde5e0455e409a6f9639c/109cm-x-79cmPatrizia-Bertassi.jpg" data-mid="193053480" border="0"  src="https://freight.cargo.site/w/1000/i/51a203765e32f70e59af3ac04a83db8ab0d8dc00eaefde5e0455e409a6f9639c/109cm-x-79cmPatrizia-Bertassi.jpg" /&#62;
&#60;img width="1850" height="2310" width_o="1850" height_o="2310" data-src="https://freight.cargo.site/t/original/i/8e9f25db6e09518cbc9465e57e0ec7df6142e9d913f0d06dd341c439bb4cc732/The-ART-Edition-Yara-Yvon-Bertassi---Patrizia-Bertassi.jpg" data-mid="193053866" border="0"  src="https://freight.cargo.site/w/1000/i/8e9f25db6e09518cbc9465e57e0ec7df6142e9d913f0d06dd341c439bb4cc732/The-ART-Edition-Yara-Yvon-Bertassi---Patrizia-Bertassi.jpg" /&#62;
&#60;img width="2550" height="1930" width_o="2550" height_o="1930" data-src="https://freight.cargo.site/t/original/i/93153a702587e937bfc10348c06da2c5574913bae34025fd2bbe3990cc0ae1ad/The-ART-Edition-Yara-Yvon-Bertassi---Patrizia-Bertassi-.jpg" data-mid="193053865" border="0"  src="https://freight.cargo.site/w/1000/i/93153a702587e937bfc10348c06da2c5574913bae34025fd2bbe3990cc0ae1ad/The-ART-Edition-Yara-Yvon-Bertassi---Patrizia-Bertassi-.jpg" /&#62;

More: @PATRIZIA.BERTASSI, @YYBFASHION

©Yara-Yvon Bertassi </description>
		
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	<item>
		<title>18.-30.10.2023 REVENIR - Florian Schmidt by Galerie Petra Seiser</title>
				
		<link>https://dit-vienna.art/18-30-10-2023-REVENIR-Florian-Schmidt-by-Galerie-Petra-Seiser</link>

		<pubDate>Fri, 22 Sep 2023 17:18:56 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/18-30-10-2023-REVENIR-Florian-Schmidt-by-Galerie-Petra-Seiser</guid>

		<description>
	REVENIR – Florian Schmidt&#38;nbsp;
by
Galerie Petra Seiser

	Opening: 20.10.2023 18h by Michael Hall, curator
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
29.10.2023 11h Artist talk&#38;nbsp;

18.–30.10.2023 open by appointment, please call Michael Hal +43 6 8110729091&#38;nbsp;

“The Reverant group does not focus on a specific color but plays more with tonalities and how the individual elements move in a space between two- and three-dimensionality.” – Michael Hall, 2023

Florian Schmidt (*1980 in Raabs, Austria, lives and works in Berlin and Weimar) studied at the HfBK in Hamburg and subsequently at the Academy of Arts in Vienna. In Weimar, Schmidt is an artistic associate at the Bauhaus-University. He has had international solo and group exhibitions at Kunsthalle Krems, Hudson Valley Center for Contemporary Art, Peekskill, New York, Princeton University Art Museum, MUMOK, Vienna, Overbeck-Gesellschaft, Lübeck, and the 5th Beijing International Art Biennale at the National Art Museum of China, among others.

 More: www.galeriepetraseiser.at

&#60;img width="480" height="480" width_o="480" height_o="480" data-src="https://freight.cargo.site/t/original/i/e8443fd574f1c4f1a105ce64d488e13b9299e87f720b231d9d3f03eed50b3df5/02-2021-Revenant01s-Kopie.jpeg" data-mid="193271121" border="0"  src="https://freight.cargo.site/w/480/i/e8443fd574f1c4f1a105ce64d488e13b9299e87f720b231d9d3f03eed50b3df5/02-2021-Revenant01s-Kopie.jpeg" /&#62;
&#60;img width="481" height="558" width_o="481" height_o="558" data-src="https://freight.cargo.site/t/original/i/41e70265e0a2073a0846e6a1dae343774d701b7b47fe275c3a1f094652c2633d/01-Aftermath-side.jpeg" data-mid="193271115" border="0"  src="https://freight.cargo.site/w/481/i/41e70265e0a2073a0846e6a1dae343774d701b7b47fe275c3a1f094652c2633d/01-Aftermath-side.jpeg" /&#62;
&#60;img width="480" height="639" width_o="480" height_o="639" data-src="https://freight.cargo.site/t/original/i/ab702af2373926de956d47560021000e993faf93c8fceac44e44a5e81bc6e55d/06Revenant16-Kopie.jpeg" data-mid="193271130" border="0"  src="https://freight.cargo.site/w/480/i/ab702af2373926de956d47560021000e993faf93c8fceac44e44a5e81bc6e55d/06Revenant16-Kopie.jpeg" /&#62;
Credits Florian Schmidt/Galerie Petra Seizer</description>
		
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		<title>5.-9.10.2023 Milagres - Gabriel Novis by Studio Riebenbauer</title>
				
		<link>https://dit-vienna.art/5-9-10-2023-Milagres-Gabriel-Novis-by-Studio-Riebenbauer</link>

		<pubDate>Wed, 30 Aug 2023 08:37:13 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/5-9-10-2023-Milagres-Gabriel-Novis-by-Studio-Riebenbauer</guid>

		<description>
	Milagres - Gabriel Novis 
by
Studio Riebenbauer

	Opening: 5.10.2023 19–22h 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Friday 06.10.2023 11–18h, 
Sat 07.10.2023 11–16h &#38;amp; 
Sun 08.10.2023 11–16h



Immerse yourself in the world of "Milagres," where Brazilian photographer Gabriel Novis unveils the heart of a vanishing fishing village. Through evocative black and white film photographs, Novis freezes the raw beauty of Milagres and the souls of its people. A tribute to the last generation of fishermen who dance with time, this exhibition is a visual testament to tradition and tranquility.


Eintauchen in die Welt von "Milagres": Hier enthüllt Fotograf Gabriel Novis die Essenz eines verschwindenden Fischerdorfs. Mit beeindruckenden Schwarz-Weiß-Fotografien friert Novis die raue Schönheit von Milagres und die Seelen seiner Bewohner ein. Eine Hommage an die letzte Fischer-Generation, die mit der Zeit verschwinden zu droht. Diese Ausstellung über mehrere Kontinente ist ein visuelles Zeugnis von Tradition und Gelassenheit. 

 More @gabriel.novis, @studioriebenbauer


&#60;img width="3113" height="2075" width_o="3113" height_o="2075" data-src="https://freight.cargo.site/t/original/i/1f5383b7af81d50ceba7d624dca4d44da941923a4df86670930770f09953cba1/Gabriel_Novis_Milagres_01.jpg" data-mid="189276500" border="0"  src="https://freight.cargo.site/w/1000/i/1f5383b7af81d50ceba7d624dca4d44da941923a4df86670930770f09953cba1/Gabriel_Novis_Milagres_01.jpg" /&#62;
&#60;img width="3364" height="4975" width_o="3364" height_o="4975" data-src="https://freight.cargo.site/t/original/i/5c95a820b1a3c6303b5df6eced9ca1c5aa8278fb5151c8ec0ce29a7904eec441/Gabriel_Novis_Milagres_02.jpg" data-mid="189276501" border="0"  src="https://freight.cargo.site/w/1000/i/5c95a820b1a3c6303b5df6eced9ca1c5aa8278fb5151c8ec0ce29a7904eec441/Gabriel_Novis_Milagres_02.jpg" /&#62;
&#60;img width="2826" height="4180" width_o="2826" height_o="4180" data-src="https://freight.cargo.site/t/original/i/35e608b92b4246fd1aaf9451f9f005c8de733502da36faca526c7bca23c15089/Gabriel_Novis_Milagres_03.jpg" data-mid="189276502" border="0"  src="https://freight.cargo.site/w/1000/i/35e608b92b4246fd1aaf9451f9f005c8de733502da36faca526c7bca23c15089/Gabriel_Novis_Milagres_03.jpg" /&#62;
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&#60;img width="3296" height="4948" width_o="3296" height_o="4948" data-src="https://freight.cargo.site/t/original/i/d79043cbe785229d790fb6390cd7772dfafec1d9e94dfda76951754da57e8322/Gabriel_Novis_Picture_Artist.jpg" data-mid="189276505" border="0"  src="https://freight.cargo.site/w/1000/i/d79043cbe785229d790fb6390cd7772dfafec1d9e94dfda76951754da57e8322/Gabriel_Novis_Picture_Artist.jpg" /&#62;
&#60;img width="3649" height="5397" width_o="3649" height_o="5397" data-src="https://freight.cargo.site/t/original/i/f1749d4a90ed72c7b629b6789034d5b514fa4fbbd48c2cdb44af9da785b62ca8/Gabriel_Novis_Millagres_04.jpg" data-mid="189276504" border="0"  src="https://freight.cargo.site/w/1000/i/f1749d4a90ed72c7b629b6789034d5b514fa4fbbd48c2cdb44af9da785b62ca8/Gabriel_Novis_Millagres_04.jpg" /&#62;
Credits Gabriel Novis</description>
		
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	<item>
		<title>7.-23.9.2023 An Atlas of the Lesser World – Zlatan Vehabović, by NOMAD</title>
				
		<link>https://dit-vienna.art/7-23-9-2023-An-Atlas-of-the-Lesser-World-Zlatan-Vehabovic-by-NOMAD</link>

		<pubDate>Sun, 13 Aug 2023 10:10:45 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/7-23-9-2023-An-Atlas-of-the-Lesser-World-Zlatan-Vehabovic-by-NOMAD</guid>

		<description>
	
An Atlas of the Lesser World – Zlatan Vehabović


by&#38;nbsp;Nomad, in partnership with editions of solidarity &#38;amp; care and Artupunktura
	 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
7.–23.September 2023
Open by appointment
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Special event 8.9.2023, 18h 
Publication presentation and unveiling of new artworks.Artist in conversation with curators Adriana Belay &#38;amp; Nicole Sheyerer.



Join us for the presentation of Zlatan Vehabović's new artworks, complimentary of his publication 'An Atlas of the Lesser World,' published by the Museum of Arts and Crafts Zagreb. This intimate publication presentation follows his homonymous exhibitions at the National Museum of Modern Art Zagreb and the Museum of Fine Arts Split.

Drawing from his unique sensibility and expressive style, often characterized by a narrative approach and collage methodology, Vehabović embarked on his artistic journey using the museum's vast collection of over a hundred thousand digital records. The outcome of this approach is a series of conceptually and formally layered compositions, where the intricate connections and processes preceding the painting’'s creation become distinctly visible. Furthermore it showcases the exceptional skill and consistent visual language for which Vehabovic has long been recognised. 

Our aim is to offer you an extraordinary art gathering that enables a genuine connection with Zlatan Vehabović — one of the most captivating artistic voices of our era. You'll also have the opportunity to engage directly in moderated discussions with curators Adriana Belay and Nicole Scheyerer, delving deeply into the development of Contemporary Art.

Nomad's social and cultural mission is to establish a platform that contributes to the co-creation and promotion of contemporary cultural dialogue. Our ultimate goal is to shape the market for regional artists in Central Europe, fostering enduring cohesive networks in the process. 

Zlatan Vehabović, based in Zagreb, was born in Banja Luka, Bosnia and Herzegovina in 1982. He graduated from the Academy of Fine Arts Zagreb, where he is currently also teaching. Noteworthy exhibitions include MoCA Zagreb, MoMA Zagreb, MoFA Split, MoMA Dubrovnik, Stadt Museum Mainz, and the Center for Contemporary Art Hudson Valley. His works are homed in collections such as &#38;nbsp;the Museum of Contemporary Art Zagreb, Albertina Modern Vienna, European Central Bank Art Collection Frankfurt, European Parliament Collection Brussels, Erste Fragments Zagreb, Lauba Foundation Zagreb, Maistra Collection Rovinj, and Eileen S. Kaminsky Family Foundation New York.

More info:&#38;nbsp;@vanja_zanko_art_advisor, @zlatan_vehabovic, @nomad_platform, @apg_priredba, @dariadarmaniyan, @dorazane, @jelena_tami
&#60;img width="4446" height="4000" width_o="4446" height_o="4000" data-src="https://freight.cargo.site/t/original/i/acef6171a7d11eded5ce9856d4d20c005e0d43975324eedfa66965d1af0b92c8/zv_7_23_3---37-5-x-40-cm.jpg" data-mid="187810079" border="0"  src="https://freight.cargo.site/w/1000/i/acef6171a7d11eded5ce9856d4d20c005e0d43975324eedfa66965d1af0b92c8/zv_7_23_3---37-5-x-40-cm.jpg" /&#62;Credit: Zlatan Vehabović, An Atlas of the Lesser World, Collage on archival Hahnemühle paper, 37.5 x 40 cm, 2023&#38;nbsp;</description>
		
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	<item>
		<title>13.7-1.9.2023 0,00001 Lux – RAPHAEL HAIDER</title>
				
		<link>https://dit-vienna.art/13-7-1-9-2023-0-00001-Lux-RAPHAEL-HAIDER</link>

		<pubDate>Sun, 02 Jul 2023 17:35:50 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/13-7-1-9-2023-0-00001-Lux-RAPHAEL-HAIDER</guid>

		<description>
	
Special Program:
WIENER SOMMER FRISCHE HITZE




	


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
13.July–1.September 2023Open by appointment

17.8.2023 Special Event,&#38;nbsp;17–19h
2.9.2023 Finissage, 12–15h


0,00001 Lux – RAPHAEL HAIDER
Stumm starrt der Frosch und hungrig ist er auch. Könnte Quaxi (2023) Augenringe haben, sie wären tief. Er reiht sich ein in die Runde trauriger Gestalten, die schlaff ihre Köpfe hängen lassen. An Schlaf ist nicht zu denken. Fahl strahlt das blaue Licht Straßenlaternen nachts in die Galerie. Nur schwach schimmert&#38;nbsp;ein&#38;nbsp;gelblicher&#38;nbsp;Schein&#38;nbsp;aus&#38;nbsp;den&#38;nbsp;Lampenobjekten,&#38;nbsp;der&#38;nbsp;dem&#38;nbsp;Außen&#38;nbsp;wenig&#38;nbsp;entgegenzusetzen&#38;nbsp;hat.&#38;nbsp;Convallaria majalis, Lilium und Helianthus annuus (alle 2023) sind Artefakte der Gegenwart, die aufgegeben haben. Nutzlos gewordene, doch einwandfrei funktionierende Komponenten einer großen Infrastruktur, die aus den letzten Löchern ihrer Beleuchtungstrichter pfeifen. Leicht geknickt und von der drückenden Hitze der Sommersonne gebeutelt hängen sie im&#38;nbsp;Ausstellungsraum ab. Vorbei die&#38;nbsp;Tage, an denen sie wacker und aufrecht Stunde um Stunde als stumme Begleiter verunsicherten Jugendlichen den betrunkenen Weg nach Hause wiesen und Tausenden von Motten gleich jenen ins Paradies.

Als melodiöse Liebeshelden wie Gene Kelly sich in You Are My Lucky Star (1952) von ihnen Halt geben ließen und singend in die nächste Sommerromanze schwangen.&#38;nbsp;Als sie die Transitstraßen von Schlafstädten zu Industriehochburgen erhellten, auf denen die Schichtbusse rollten.&#38;nbsp;Als sie noch den hoffnungsvollen Weg in eine sacht gelblich ausgeleuchtete Zukunft wiesen. Es ist, als hätten sie genug gesehen.&#38;nbsp;Ausgefranst&#38;nbsp;und&#38;nbsp;abgeknabbert&#38;nbsp;ragen&#38;nbsp;die&#38;nbsp;Kabelenden&#38;nbsp;der&#38;nbsp;Arbeit Untitled (2023) in&#38;nbsp;den&#38;nbsp;Raum. Ungewiss bleibt, wodurch die Verbindung gekappt wurde. Gewiss sind die Konsequenzen, denen die Objekte nun mit letzter Kraft entgegen leuchten: Es geht zu Ende. Sie teilen das Schicksal mit bunten Ballons, die auf dem Jahrmarkt Kinderaugen glänzen lassen, um dann im stetigen Sinkflug von der Kinderzimmerdecke in den Müll zu wandern.

Die Überwältigung der Welt durch Licht bildet blinde Flecken, wo Übersicht entstehen soll. So lange leitete es den Menschen durch seine eigene Geschichte. Jahrtausende. Sie handelt von Erkenntnis und Erlösung, von&#38;nbsp;Heil&#38;nbsp;und&#38;nbsp;Fortschritt.&#38;nbsp;Der&#38;nbsp;Orientierung&#38;nbsp;und&#38;nbsp;der&#38;nbsp;Distinktion.Gut&#38;nbsp;ist&#38;nbsp;das&#38;nbsp;Helle,&#38;nbsp;das&#38;nbsp;Aufgeklärte (das im englischen nicht ohne Grund direkt mit Enlightenment übersetzt wird), Schlecht ist das Dunkel unddamit das Unsichtbare und Unverstandene. Doch im Fahrwasser der&#38;nbsp;technologischen&#38;nbsp;Durchdringung unserer Welt durch Licht und Beleuchtung zeigen sich erste&#38;nbsp;Anzeichen des Verschleißes. Der Kälte der unbeleuchteten Höhle, dem Dunkel der Unwissenheit, der&#38;nbsp;Angst vor dem Raubmord auf der dunklen Straße entkamen die Bewohner der Städte seit der&#38;nbsp;Antike durch das Installieren von Beleuchtungsmitteln auf ihren öffentlichen Plätzen. 
Im Absolutismus folgte der erste große Auftritt des Lichts als politischer Akteur, der&#38;nbsp;nochheute&#38;nbsp;deutlich&#38;nbsp;sichtbar&#38;nbsp;markiert,&#38;nbsp;wessen&#38;nbsp;Öffentlichkeit&#38;nbsp;als&#38;nbsp;Öffentlichkeit&#38;nbsp;verstanden&#38;nbsp;wird. Nach Jahrhunderten der fossilen Brennstoffe – von Waltran über Petroleum und Gas – trat das blaue Licht&#38;nbsp;seinen&#38;nbsp;bis&#38;nbsp;heute&#38;nbsp;bestehenden&#38;nbsp;Siegeszug&#38;nbsp;an.&#38;nbsp;Seine&#38;nbsp;frechen&#38;nbsp;kurzen&#38;nbsp;Welle raubender&#38;nbsp;Welt&#38;nbsp;weniger Ressourcen, doch zugleich den Schlaf. Von ihrer eigenen Performance erschöpft, ihr eigenes Gewicht nicht mehr tragend, knicken die Lampenskulpturen – Boliden aus Stahl, Zink und&#38;nbsp;Aluminium, ein.

Gebaut für die Ewigkeit, verbraucht im eiligen Schritt des Fortschritts, der niemals bremsen darf, nur brennen. Es ist zu hell. Hungrig starrt der Frosch, tief sind seine&#38;nbsp;Augenringe.
Text Anne Zühlke

Mehr&#38;nbsp;@haider_raphael


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	<item>
		<title>2.–30.6.2023 Memories of a place I have never been... Bastian Gehbauer by HOTO Berlin</title>
				
		<link>https://dit-vienna.art/2-30-6-2023-Memories-of-a-place-I-have-never-been-Bastian-Gehbauer-by</link>

		<pubDate>Wed, 03 May 2023 19:37:57 +0000</pubDate>

		<dc:creator>DIT.= do it together</dc:creator>

		<guid isPermaLink="true">https://dit-vienna.art/2-30-6-2023-Memories-of-a-place-I-have-never-been-Bastian-Gehbauer-by</guid>

		<description>
	

Memories of a place I have never been... –&#38;nbsp;Bastian Gehbauer
by HOTO Berlin

	
Opening: 2.6.2023 18–21h&#38;nbsp;
Finissage: 30.6.2023 19h
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
1.6.–1.7.2023 
Wed–Fri 13–18h, Sat 13–16h
&#38;amp; by appointment


&#60;img width="1819" height="2275" width_o="1819" height_o="2275" data-src="https://freight.cargo.site/t/original/i/dff277a70356ede21ae384971b70ff6c4473782db670986bd77c855608f72d89/image001.jpg" data-mid="177573523" border="0"  src="https://freight.cargo.site/w/1000/i/dff277a70356ede21ae384971b70ff6c4473782db670986bd77c855608f72d89/image001.jpg" /&#62;
Credit:1. Bastian Gehbauer, Phantasma (2022) HR2, 170 x 135 cm, Pigment Print &#124; framed - polished aluminium &#124; Copyright: Bastian Gehbauer &#38;amp; Akademie der Künste Berlin &#124; Courtesy HOTO Berlin

Bastian Gehbauer's series Phantasma (2022) is an archival work evolved from photographs of the estate of Berlin-based modernist architect Harry Rosenthal.

The photographs are of a studio house, built for the literary figure Arnold Zweig and completed in 1931, a building that no longer exists.

A Nazi general named Kaupisch, had the entire structure transformed in 1938 to eliminate the Jewish modernist "eyesore," as he called it. By that time, the architect and owner of the building had already fled Germany because of their Jewish ancestry. 
For Bastian Gehbauer, Rosenthal's negatives went from being a contemporary document to a portal, an entrance into an extinct place, a bygone era. Similar to a door, he cut portrait formats out of the landscape-format negatives, directing the gaze to what seemed essential to him. He made a picture within a picture.

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Credit:2. Bastian Gehbauer, Phantasma (2022) HR2, 170 x 135 cm, Pigment Print &#124; framed - polished aluminium &#124; Copyright: Bastian Gehbauer &#38;amp; Akademie der Künste Berlin &#124; Courtesy HOTO Berlin



Mehr;&#38;nbsp;@hoto_gallery &#38;amp; www.hotoart.de</description>
		
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